Columbus, Indiana, a truly charming Midwestern city, proudly boasts a remarkable architectural landscape that has earned it the title “Athens of the Prairie.” This unexpected architectural haven is home to iconic structures designed by some of the world’s most renowned architects. What makes Columbus, Indiana, the Hoosier city to visit, especially if you love modern architecture? Here’s the scoop.
What Makes Columbus, Indiana, So Special for Modern Architecture?
Columbus, Indiana, is a unique city 45 minutes south of Indianapolis that has more than embraced modern architecture and made it an integral part of its identity. The city’s commitment to innovative design, public art, and community engagement has created a welcoming and inspiring environment. By showcasing the work of world-renowned architects, Columbus has become a destination for architecture enthusiasts.
If there is a “father of modern architecture” in Columbus, Indiana, it’s J. Irwin Miller. An architectural forethinker, Miller created a program in which the Cummins company (THE main company in the city) paid the architects’ fees for the structures. He also provided clients with a firm list that he hand-selected as well.
First Christian Church (1942)
- Architect: Eliel Saarinen
The First Christian Church, designed by the legendary architect Eliel Saarinen, is a quintessential example of early art nouveau architecture. Its soaring tower, clad in Indiana limestone, dominates the city skyline and serves as a beacon for visitors. The interior is equally impressive, with a spacious sanctuary bathed in natural light and an inviting, serene atmosphere.
Fun fact: The First Christian Church was the first contemporary building in Columbus.
Irwin Conference Center (formerly Irwin Union Bank) (1954)
- Architect: Eero Saarinen
Eero Saarinen, son of Eliel, designed this iconic bank building, now known as the Irwin Conference Center. Its distinctive form, sweeping roofline, and cantilevered entrance are a hallmark of mid-century Modernism. Its interior features a central atrium flooded with natural light, creating a sense of openness and modernity.
Owned and operated by Cummins, in 2001, it was designated a National Historic Landmark by the National Park Service.
Miller House and Garden (1957)
- Architect: Eero Saarinen
- Landscape Architect: Dan Kiley
The Miller House, considered one of the most significant residential works of the 20th century, is a masterpiece of Modernist design. Designed by Eero Saarinen and landscaped by Dan Kiley, this iconic Columbus home seamlessly blends architecture and nature. The open floor plan, floor-to-ceiling windows, and integration with the surrounding landscape create a harmonious and timeless living space.
I had the pleasure of touring the Miller House and, while I’m more of a Victorian architecture lover, found it to be simply lovely, especially the “conversation pit,” created for just that: a comfortable spot to sit and chat. Additionally, the meticulously kept grounds brought me a sense of peace and calm.
North Christian Church (1964)
- Architect: Eero Saarinen
- Landscape: Dan Kiley
Eero Saarinen’s North Christian Church (his last building design before he passed away) is a bold and innovative design that challenges traditional church architecture. Its circular form, 12-foot spire, concrete structure, and stained-glass windows create a dramatic and contemplative space. The church’s unique design has made it a landmark in Columbus and a symbol of Modernist religious architecture.
Fire Station Number Four (1968)
- Architect: Robert Venturi
Robert Venturi’s Fire Station Number Four is a playful and unconventional design that challenges the modernist dogma of the time. Its bold colors, contrasting materials, and playful ornamentation reflect Venturi’s interest in Pop Art and vernacular architecture. As asked by the city of Columbus, Venturi’s iconic fire station has become a symbol of Postmodernism and continues to inspire architects today.
First Baptist Church (1965)
- Architect: Harry Weese
Harry Weese’s First Baptist Church is a striking example of Brutalist architecture. Its massive concrete form, rough-textured surfaces, and minimal ornamentation create a powerful and imposing presence. The interior is equally dramatic, with a soaring ceiling and a sense of spiritual awe.
Cleo Rogers Memorial Library (1969)
- Architect: I.M. Pei
I.M. Pei’s Cleo Rogers Memorial Library is a masterpiece of geometric design. Its angular form, concrete structure, and skylights create a dynamic and open space. The library’s innovative design has made it a popular destination for visitors and a symbol of Columbus’ commitment to education and culture.
When you visit, make sure to look at the massive statue located in the Library Plaza. Titled “Large Arch” by Henry Moore, while its name may be simple, the piece is nothing but.
The Republic Newspaper Building (1971)
- Architect: Skidmore, Owings & Merrill
The Republic Newspaper Building, designed by the renowned firm Skidmore, Owings & Merrill, is a sleek and modern structure that reflects the efficiency and dynamism of the newspaper industry. Its glass curtain wall and open floor plan create a bright and airy workspace that showcases Miesian Modernism at its peak.
Columbus City Hall (1981)
- Architect: Edward Charles Bassett of Skidmore, Owings & Merrill
Skidmore, Owings & Merrill also designed Columbus City Hall, a striking example of Modernist government architecture. Its simple, geometric form and glass curtain wall create a sense of transparency and openness. The building’s interior is designed to be functional and efficient, with a focus on public access and community engagement.
St. Peter’s Lutheran Church (1988)
- Architect: Gunnar Birkerts
Gunnar Birkerts’ St. Peter’s Lutheran Church is a masterpiece of organic architecture. Its flowing curves, natural materials, and integration with the surrounding landscape create a serene and spiritual space. The church’s innovative design, including its 186-foot copper-clad spire, has made it a popular destination for architecture enthusiasts and a symbol of Columbus’ commitment to religious diversity.